top of page

Flora Saldivar (b. 1984) is a Mexican American artist recognized for her compelling large-scale abstract works, distinguished by a unique, technically rigorous process on raw canvas. Her artistic process balances an organic, "happened quality"  with  deliberate compositions. Her work is held in the permanent collections of OZ Art NWA, The Walton Arts Center, Sterling Bank, and Blakeman's. She was recently cited by Artsy as "Artist on the Rise."

​

Rejecting off-the-shelf materials, Saldivar utilizes custom gouache color blends for her soak-stain application. This unique innovation allows the pigment to truly absorb into the raw support without compromising the material, a unique advantage over predecessors who used oil. This approach achieves the signature diffused edges in all her work. Her "bleeding colors" technique  is another motif often seen in her body of work, where one color appears to shed another. She likes to think of this visual as the process of one world slowly transforming and informing the other.

​

Saldivar’s search for depth led her to invent the Verso-Infundo method, a technique where she works on both sides of a raw canvas. By allowing the pigment to push through the textile, she creates what she calls "ghost layers," subtle imprints that visually showcase how the past continuously informs the present. This method is a literal mapping of her bicultural identity: her cultural roots function as the underlying layers, always informing the top layers. Each piece is a true record of its intense creation.

​

​

JHP_Flora_12-13-14-045.jpg

portraits by: Jara Hill

JHP_Flora_12-13-14-079.jpg
RNI-Films-IMG-DFBCDA17-3246-4230-9D41-0FBE9C57CE66.PNG

The Story behind the Materials and Flora's Proprietary Color Blend​

(in her own words)

​

My material practice was defined by a single encounter at Crystal Bridges Museum. Seeing Helen Frankenthaler’s Pink Bird Figure II  hung right next to Morris Louis's Airborn, I recognized the profound potential of raw canvas. It was the perfect, unfussed texture, a natural base that makes the soak-stain technique feel both effortless and elevated. This solidified a permanent shift in my practice; I utilize only unprimed canvas, and is now a material imperative in my work.

However, the pursuit of this aesthetic immediately led to a critical dilemma in material science. My initial research confirmed a known risk: the eventual degradation of the canvas fibers when exposed to oil, compromising the posterity of the work. This technical hurdle explained why so few contemporaries stray away from using raw canvas.

This challenge set me on a year-long R&D quest. My goal was to engineer a process that retained the beautiful, soaked-in aesthetic of the masters while simultaneously ensuring the longevity of the canvas. The breakthrough was a precise, proprietary color blend utilizing a specific selection of Japanese pigments, allowing me to achieve the desired visual quality without compromising the painting's structural integrity. This unique process is now at the core of my entire body of work, ensuring a convergence of my aesthetic vision with the paramount goal of archival permanence and value.

​

​

Notable Accolades

•         Selected for the 2025  Pollinator Residency (In Progress) 

•         2025-2027 ACNMWA Juried Artist Registry

•         "Pulse of the Waterway" acquired by the Walton Arts Center permanent collection.

•         Selected as the 2025  Women of the Ozarks cohort  (In Progress) 

•         "Sprezzatura in Blue" acquired by OZ Art NWA

•         Echo NY 100 collaboration

•         Commissioned Artwork by Oven and Tap for their permanent gallery

•         Commissioned Artwork by the Soderquist Family for their private collection

•         Commissioned Artwork by the Simmons Family for their private collection

•         Commissioned Artwork by Blakeman's Fine Jewelry

​

Exhibitions

2025

Material Process, Site:Brooklyn Gallery – Group Show

2025

Rivers of Resonance, MIXD Gallery – Solo Show

2025

Women of the Ozarks – Group Show

2025

By Design, MIXD Gallery – Group Show 

2024

Prism, MIXD Gallery – Group Show

2024

Design, MIXD Gallery – Group Show

2024

Mini, MIXD Gallery – Group Show

2024

OaT, Rogers AR – Solo Show

2023

Blue a color story, MIXD Gallery – Group Show

2022

Enough is enough, The Art Collective Gallery – Duo Show

  • Instagram
© 2025 by Flora Saldivar. All rights reserved.
bottom of page